13 May 2006

Cova da Iria


Every year on this date, a quarter million pilgrims head to Fatima (Portugal) to pray. And there's a reason for it.

Since 1917 pilgrims have not ceased to come to the Cova da Iria in thousands upon thousands from all parts of the world, at first on the 13th of each month. Later during the summer and winter holidays, and now more and more at weekends and any day all the year round.

On 13 May 1917, three children were pasturing their little flock in the Cova da Iria, parish of Fatima, town of Vila Nova de Ourém. today the diocese of Leiria-Fatima. They were called: Lucia de Jesus, aged 10, and her cousins Francisco and Jacinta Marto, aged 9 and 7.

About midday, after praying the Rosary, as was their custom, they were amusing themselves building a little house of stones scattered around he place where the Basilica now stands. Suddenly they saw a brilliant light, and thinking it to be lightning, they decided to go home. But as they went down the slope another flash lit up the place, and they saw on the top of a holmoak (where the Chapel of Apparitions now stands), "a Lady more brilliant than the sun", from whose hands hung a white rosary.

The Lady told the three little shepherds that it was necessary to pray much, and she invited them to return to the Cova da Iria during five consecutive months, on the 13th day at that hour. The children did so and the 13th day of June, July, September and October, the Lady appeared to them again and spoke to them in the Cova da 0a. On the 19th of August, the apparition took place at Valinhos, about 500 meters from Aljustrel, because on the 13th the children had been carried off by the local Administrator to Vila Nova de Ourém.

At the last apparition, on October 13, with about 70,000 people present, the Lady said to them that she was the "Lady of the Rosary" and that a chapel was to be built there in her honor. After the apparition all present witnessed the miracle promised to the three children in July and September :the sun, resembling a silver disc, could be gazed at without difficulty and, whirling on itself like a wheel of fire, it seemed about to fall upon the Earth.

Afterwards, when Lucia was a Religious Sister of Saint Dorothy, Our Lady appeared to her again in Spain (10 December 1925 and 15 February 1926, in the Convent of Pontevedra, and on the night of 13/14 June 1929, in the Convent of Tuy), requesting the devotion of the five first Saturdays (to pray the Rosary, meditate on the mysteries of the Rosary, confess and receive Holy Communion, in reparation for the sins committed against the Immaculate Heart of Mary), and the Consecration of Russia to the same Immaculate Heart, This request had been announced by the Apparition on 13 July 1917, in what is called the "Secret of Fatima".

Years later, Sr. Lucia related that, between April and October of 1916, an Angel had appeared to the three seers on three occasions, twice in the Cabeço and once at the well in the garden behind Lucia´s house, who exhorted them to prayer and penance.

The three children were:

Lúcia de Jesus - The principal seer of the Apparitions, she was born on 22 March 1907, in Aljustrel, in the parish of Fatima. She died on 13 February 2005. On 17 June 1921, she entered the college of Vilar (Porto), directed by the religious of Saint Dorothy. Later she went to Tuy, where she received the Habit and the name Maria Lucia of Dolours. On 3 October 1928 she made religious profession of temporary vows. and on 3 October 1934, perpetual vows. On 25 March 1948 she transferred to Coimbra, entering the Carmel of Saint Teresa, and taking name the of Sister Maria Lucia of the Immaculate Heart. On 31 May 1949 she made profession of solemn vows. Sister Lucia has come to Fatima several times, on May 1946, 13 May 1967, in 1981 to direct, in Carmel. a series of paintings on the Apparitions, on 13 May 1982, 13 May 1991 and 13 May 2000.

Francisco Marto - He was born on 11 June 1908, in Aljustrel. He died a saintly death on 4 April 1919, in his parents house. Very sensitive and contemplative, he directed all his prayer and penance towards "consoling Our Lord". His mortal remains were buried in the parish cemetery until 13 March 1952, on which date they were translated to the Basilica. on the eastern side.

Jacinta Marto - She was born in Aljustrel on 11 March 1910. Her holy death took place on 20 February 1920, in the Hospital of D. Estefania, in Lisbon after a long and painful illness, offering all her sufferings for the conversion of sinners, for peace in the world and for the Holy Father. On 12 September 1935 her body was solemnly translated from the family tomb of the Baron of Alvaiazere in Ourém, to the Fatima cemetery, and placed beside the mortal remains of her brother Francisco. On I May 1951, the translation of Jacinta´s mortal remains took place, with the greatest simplicity, to a new tomb prepared in the Basilica of Cova da Iria, on the western side.

lucia, francisco & jacinta

The process of beatification of the Seers of Fatima, Francisco and Jacinta Marto, after the first steps taken in 1945. was opened in 1952 and concluded in 1979. On 15 February 1988, the final documentation, which could lead to the Holy Father proclaiming "blessed" the two little seers of Fatima, was given to the Holy Father, John Paul 11, and the Congregation for the Causes of Saints. Meanwhile, they were declared "venerable" by a Decree of that Sacred Congregation on 13 May 1989. The last step will be, as we hope, their canonization, by which they will be declared "saints".

          - transcribed/adapted from a Portugal Virtual's article

12 May 2006

Dream guitar (pt.8) - Peavey Wolfgang Custom Deluxe


I started this with an EVH guitar... and I'll finish it in the same fashion. When Eddie discovered that Ernie Ball wasn't able to produce more than 1800 guitars a year, he decided to take it to the next step... finding a bigger company who'd produce his guitars without compromising the quality.

And, in my humble opinion, he suceeded.

It's true, my #1 dream guitar is the Ernie Ball and if you're a "true" Van Halen fan, you probably know why. After too much striped guitars, modded amps and other stuff than only EVH knew how (and that's another thing why he's special), finally there was a guitar that you could plug into a Marshall and sound like the man (well, something like it...).

If you compare the guitars, you'll instantly hear the smoother Wolfgang sound (and also the "Volume" & "Tone" knob which really are what they say unlike the lonely "Tone" knob with the hidden meaning); burgundy both the feel of guitar with easier access to the higher frets the contoured and assymetric shape of the body provide extra comfort... this truly is an upgrade from the previous model. Even if the passion remains untouched... there's no love like the first one.

The "drop-D" unit's also a plus. It's easy to use and very handy on a Floyd Rose system. Personally, I don't find the tremolo system very reliable (when compared to a Wilkinson or Parker Fly system) and I can understand why he has his one recessed.

The Wolfgang can be a shredding machine and also very close to a Les Paul (sounding a bit like Slash's axe, not as round as a Standard model). Never like a Strat because thin is not what a Wolfgang is.

The Custom Shop options were unlimited: bodies in koa, mahogany, basswood, alder, swamp ash... fretboard in birdsye maple, hardrock maple, rosewood, ebony... neck in maple, koa... everything. Hardware color, matching headstock or not... flamed, quilted, solid or custom finished body tops. And pickup switching... whatever.

If I have had the money then, the option would have been: basswood body with AAAAA bookmatched quilt maple top in a dark grey/black finish; birdseye maple neck with ebony fretboard with pearloid inlays (I would have asked the Custom Shop to have the 3rd, 5th, 7th & 9th markers under the lower E-string, a custom drawing in the 12th and the rest under the high E-string); matching headstock, black chrome hardware (Floyd Rose tremolo, locking nut & tuners); pickups in a H-S-H configuration with two switches (1st switch: choice of neck humbucker, bridge humbucker or middle; 2nd switch: only working when the 1st is in the middle position would connect the middle pickup with the closest coil of each humbucker and would select the single coil alone in its middle position) with a coil-tap push/pull button in the "Tone" knob. This would have costed me a little over $3000. Dreaming is easier...

I can leave the specs and some pictures (of a Standard Deluxe)...

- Body: Basswood with maple top
- Finish: Quilt / Flame maple (or solid)
- Neck: Maple (or custom choice)
- Neck construction: bolt-on
- Fretboard: Birdseye maple (or rosewood)
- Inlay: Pearloid dots (black)
- Bridge: recessed Floyd Rose with d-tuna
- Hardware: Chrome
- Pickup configuration: H-H
- Pickups: DiMarzio EVH custom designed
- Controls: Volume, Tone, 3-way pickup switch


aqua blue quilt

brown top, alder body, stoptail

koa body & top, rosewood neck

snakeskin

striped

black gloss, coil tap, custom neck markers

rosewood neck, custom skulls drawing

fire graphic

korina

three humbuckers, stoptail, gloss orange top

blueish & flames with flames on neck

string-thru construction with green quilted top, ebony fretboard

Go check Rock'N Roll Weekend, the site of the biggest Wolfgang collector. You'll find some 1-of-a-kind Custom Shop models and all the info you want on any EVH guitar. A must.

11 May 2006

Dream guitar (pt.7) - Frudua Carved Pro


An italian luthier, or better, woodcrafter.
Woods & hardware made in the USA.
All assembly in Italy again.

These ingredients and a full choice (100% custom) of specs make Frudua guitars an expectional breed. quilt, quilt, quilt... And the house speciality is the chambered Strat. Who wants a Stratocaster anyway ?!...

If you want a piezo pickup, no problem.
And a MIDI output ?!... Just ask.
Or a AAAAA quilt maple top ?

Well, I'm a fan since the day I found their website in the late 90's (they exist since 1990 or so) and I'd love to have $2000 available for a custom order. I do like certain single coil sounds, but I would like to have a real guitar, not just a Strat copy or a Stratocaster (I deslike the looks and the feel of the original... hate me if you will!)...

There are quite a few standard models you will identify as based on a certain original guitar. But, as long as you're there, go all the way and make your own guitar. Visit Frudua's website for all the info on the guitars. And pictures. And specs.

Here go five pictures from the site (please be patient as the site's connection is not as fast as your Google, MSN or Amazon standards)...

gff

gff-vo

gff-c (with piezo separate jack)

gft-shb (black quilt again; it's my favourite !!!)

carved pro

10 May 2006

Dream guitar (pt.6) - Gibson Les Paul Custom


I'm not a big fan of the Gibson Les Paul, and even less of the Fender Stratocaster, for that matter. Since these two guitars became icons (well deserved positions, I must say), a lot has happened and the few tecnlogical evolutions make them a little outdated, especially the Stratocaster... the Les Paul guitar still stands as a guitar on a different class while you can get Strat models that are way better than the Fender (tomorrow, I'm going to present one of them).

Regarding the Gibson Les Paul Standard, the sound is thick, the scale is fast... but it ends there. The guitar's not easy to play, it's a bit too heavy, difficult access to the higher frets, unreliable tuners...

So why a Les Paul ?!
Because it's a dream guitar !... It has certain aspects that make it desireable, like a custom quilt top, custom inlays (I deslike the rectagular block inlays on the most common Custom models), lighter woods, custom pickups, better hardware... that's what makes a (certain) Les Paul a dream guitar.

Models to watch:
- Gibson Les Paul Custom Shop Catalina - a beautiful guitar available in solid colours and translucent tops, has the pearloid inlays in trapezoid shape; the material are superior to the Custom Shop regular models;
- Gibson Les Paul Custom Florentine - an extremely elegant model which has a semi-hollow (chambered) body and consequently a distinctive sound;
- Gibson Les Paul Custom Supreme - simply the supreme thing in Custom Shop models.

Pictures...

catalina

florentine

supreme

Of course that, for me, only a black quilt top will do. Not even a flame top...

09 May 2006

Dream guitar (pt.5) - Washburn N4


The ultimate rock guitar with a portuguese hand. The guitar (in selected woods) totally rocks and you know the reason why... Nuno Bettencourt designed with Washburn.

One thing that annoys me is that (other than the awesome Padauk model) the guitars have a low standard in woods ressonance. nuno playing his guitar I've played several alder and swamp ash models and they never sound the same, or close... and having a high output pickup such as the Bill Lawrence, it definately shows (when I bought my Parker Fly, I tried an N4 and rejected because it sounded like my $250 Ibanez).

Playability... 101% !!!
The "Stevenson Extended Cutaway" is definately an excellent addition for those who really use the higher frets... it's better than a common neckthru construction and, for me, comes only second to the Parker Fly neck joint, which is virtually "all-access".

Considering the padauk model... play it through a "Hughes & Kettner Tri-Amp" and you'll have the Nuno sound. Crisp, sharp, full & solid. And, of course, all harmonics at hand...

Here go some specs and pictures...

- Body: Alder, Swamp Ash or Padauk
- Finish: Natural / Color Stained
- Neck: Maple (or custom choice)
- Neck construction: Stevenson Extended Cutaway
- Head: 14" pitch-angled reverse headstock
- Tuning: 6-inline with Buzz Feiten system
- Fretboard: Ebony (or custom choice)
- Inlay: Pearloid dots
- Frets: 22
- Bridge: Floyd Rose by Schaller
- Hardware: Chrome (or custom black)
- Pickup configuration: H-H
- Neck Pickup: Seymour Duncan '59
- Neck Pickup: Bill Lawrence L-500
- Controls: Volume, Tone


padauk

alder, population 1 custom

08 May 2006

Dream guitar (pt.4) - Brian Moore MC/1


Nothing but good ideas... this is my best way of describing this awesome instrument. three of them... It has everything that makes an excelent guitar. Again, I'm not fortunate enough to say that I have one of these, but someday... you know, I'll get there.

Nowadays, one can get his/hers hands on an i-Guitar, but even with the i1, it's not the same. I happened to try several MC/1 models at a guitar exibit at Exponor (my thanks to their customer representative, who's always helpful... with $200 or $2000 intruments !!!). The guitars are probably the best you can built using beautiful and extremely tonal woods, composite materials and graphite reinforcements.

The bad thing about it is that, due to copyright issues (the graphite reinforced neckthru construction), this guitar cannot be obtained except for a very limited run of 12 custom designed guitars per year.

The body contour is perfect, the input jack position extremely well located, the (flame, quilt and solid) body top finishes are excellent, the hardware is handpicked, the pickups are custom chosen, the MIDI & piezo options are endless, the necks are narrow and so playable, the head design is nothing short of spectacular... what can I say more.

I can leave the specs and some pictures...

- Body: Composite with maple top (or custom choice)
- Finish: Quilt / Flame maple (or custom choice)
- Neck: Maple (or custom choice)
- Neck construction: neckthru
- Fretboard: Rosewood (or custom choice)
- Inlay: Pearloid dots (or custom drawings)
- Bridge: Floyd Rose / Wilkinson
- Hardware: Chrome / gold / black
- Pickup configuration: H-S-H (or custom choice)
- Pickups: Seymour Duncan or EMG (or whatever...)
- Controls: Volume, Tone, 5-way pickup switch (...)


overall view

body view

head view

Go here for more pictures.

07 May 2006

Dream guitar (pt.3) - Parker Fly Deluxe


The first I ever saw/touched was a red model in a Lisbon shop. This was 1994 or so. But, as it seems common around here (unlike in Oporto where you can try every guitar you want), if you pick up a guitar, you must have serious intentions of buying or you'll be advised not to touch any guitar.

ruby red

How can one form an opinion without trying several guitars ?!...
The more I learn about guitar, the more ignorant I feel (and I'm happy about it, as it's an excuse for me to further investigate).

But then, five minutes were enough for me to see/hear/feel that this guitar has a different concept behind it which led to mindblowing experience. Yes, five minutes were enough.

The piezo pickup and all electronics are just perfect, the neck feel, the body shape, the hardware quality, the tremolo (and all the things you can do with it, fixed, floating...), the pickups sound, almost everything. dusty black For me, it has two flaws... one is obvious and not really a flaw: the battery; every now and then I forget to unplug the guitar and puff... there goes the battery. The other is a problem: I find the knobs too light and when I strum a little harder, the general volume knob tends to go down a bit. Maybe it's only me...

But I was fortunate enough to travel to London a year or so after (Denmark St, to me more specific) and experiment with a Deluxe and a Supreme model for as long as I wanted. I didn't buy the guitar there and then, but it became a matter of time. Two years later, in another store, in another continent, I got myself a beautiful Dusty Black model.

The specs are...

- Body wood: Poplar
- Construction: Solid one piece
- Finish: Polyurethane
- Bridge: Parker custom cast aluminum
- Vibrato system: Custom flat spring with balance adjustment
- Vibrato modes: fixed, bend down only or floating
- Neck Wood: Basswood
- Neck Design: Solid one piece with carbon-glass-epoxy reinforcement
- Neck-Body Joint: Reinforced carved (glued) joint
- Scale lenght: 25.5"
- Number of Frets: 24 frets (hardened stainless steel)
- Fret size: .045" high, .095" wide
- Fretboard: Carbon-Glass-Epoxy .020" composite
- Fretboard shape: 10"-13" conical form
- Finish: Polyurethane
- Nut: GraphTech
- Nut width: 1.68"
- String spacing: Bridge: 2.14"; Nut: 1.43"
- Truss rod: custom design high-strength music wire
- Tuners: Sperzel® 6-inline locking tuners
- Magnetic pickups: 2x DiMarzio custom wound (humbucker)
- Piezo system: 6-element Fishman piezo
- PreAmp/Mixer: Active custom Fishman stereo preamp
- Controls: Mag volume, Mag tone, Piezo volume, Mag/Piezo 3 way selector
- Output: Split stereo or summed mono ("Smart Switching" jack)
- Weight: 4 3/4 pounds